"When I started out, I was absolutely awful, I had no voice, I didn’t have
a lot of stage presence and most of the [interpretive] intensity that I
brought to the experience was actually terror." —Jimmy Webb
Not surprisingly, the critics don’t agree, as evidenced by the phenomenal
reviews of Jimmy’s recent performances. Indeed, the critical acclaim composer
Jimmy Webb has received during his more than thirty-five years of success
is as remarkable as the accomplishments they honor: Webb is the only artist
to ever receive Grammy awards for music, lyrics, and orchestration, he is
a member of the National Academy of Popular Music Songwriter’s Hall of Fame,
the Nashville Songwriter’s Hall of Fame, and, according to BMI, his "By
The Time I Get To Phoenix," has been the third most performed song in the
last fifty years, with "Up, Up and Away" on the same list in the top thirty.
Webb’s, "Wichita Lineman" has been listed in MOJO Magazine’s worldwide survey
of the best one hundred singles of all time in the top fifty, and was singled
out in the Oct/Nov 2001 issue of Blender as "The Greatest Song Ever." The
National Academy of Songwriters also named Jimmy as 1993’s recipient of their
Lifetime Achievement Award, although TIME Magazine was early to acknowledge
Jimmy Webb’s range and proficiency back in 1968 when it referred to his astonishing
string of hits, and commented on "Webb’s gift for strong, varied rhythms,
inventive structures, and rich, sometimes surprising harmonies." In 1999
Jimmy was inducted by actor Michael Douglas into the Oklahoma Hall of Fame
as one of the State’s most celebrated sons, he was inducted onto the Board
of Directors for The Songwriters’ Hall of Fame in early 2000, and currently
serves on the Board of Directors for ASCAP.
Though best known for the instant classics he provided for such artists
as Glen Campbell ("By The Time I Get To Phoenix," "Wichita Lineman," "Galveston,"
"Where’s The Playground, Susie"), Richard Harris ("MacArthur Park," "Didn’t
We"), the Fifth Dimension ("Up, Up and Away," "This Is Your Life"), The
Brooklyn Bridge ("Worst That Could Happen"), Art Garfunkel ("All I Know"),
Linda Ronstadt ("Easy For You To Say"), Joe Cocker ("The Moon’s A Harsh
Mistress") and so on, Jimmy Webb continues to write songs that are as carefully
crafted and magical as the earlier ones. Waylon Jennings, Willie Nelson,
Johnny Cash, and Kris Kristofferson hit #1 in the late eighties with another
Webb standard, "The Highwayman," a ballad which won him yet another Grammy
for Best Country Song of the Year, and a CMA Award for Single Of The Year.
Linda Ronstadt, who has recorded a multitude of his songs throughout her
recording career, included four of his efforts on her double platinum album,
"Cry Like A Rainstorm, Howl Like the Wind." With a discography that reads
like a "Who’s Who" in the music world, Webb’s songs continue to grace a multitude
of major recording artists’ albums, from Tony Bennett and Rosemary Clooney,
to Urge Overkill, Reba McEntire, and R.E.M.
Having five top ten hits within a 20-month period, Jimmy Webb concluded
the 1960’s with an international name that was bandied around on the musical
air currents as a "new genius." Webb began the Seventies intent on launching
his own performing career, releasing six albums in eleven years, including
Words And Music (1970), And So: On (1971), Land’s End (1974), El Mirage
(1977), and Angel Heart (1982), while writing hits for other recording stars.
Throughout the years, he continued to hone his performance skills, and earned
distinguished reviews and praise following his appearances in top cabaret
venues (The Algonquin’s famed Oak Room in New York, NY’s "Feinstein’s at
The Regency," San Francisco’s "Fairmont Hotel," Melbourne’s "Continental,"
"The National Hall" in Dublin, London’s, "Pizza on the Park" and "The Cafe
Royal") as he presented material which encompassed a new maturity and sophistication
for his first album in over a decade. Suspending Disbelief, (1993) produced
by Linda Ronstadt and George Massenburg, received enormous critical acclaim,
and led New York Times critic Stephen Holden to state that this album, "may
very well be the songwriter’s perfect moment." His last recording effort,
Ten Easy Pieces, (Guardian-EMI)—which won rave reviews—is a collection of
the songwriter’s hits as he performs them the way they were originally written,
and his next solo recording effort should be released in 2002. Webb was also
one of the few artists asked to perform in 1995 at Carnegie Hall’s "Celebration
of American Music" honoring Frank Sinatra, and, at Billy Joel’s personal
request, one of several artists (including Marvin Hamlisch and Garth Brooks)
who performed for Congress in 1997 as Joel was presented with ASCAP’s Founder’s
Award. Jimmy Webb’s recent tours (New Zealand/Australia ’99, The U.K. Tours
‘98 & ’99, and Australia & Japan 2000) were sell-outs. His most current
performances—along with legendary songwriter Paul Williams—took place in
New York for most of November ’01 and earned the distinguished headline of
"A Bright, Soaring Delivery For Wild Romantic Fantasies" from the esteemed
New York Times.
Tremendously influenced as a boy by "West Side Story," the 1980’s coincidentally
brought Webb in contact with Michael Bennett, and thus began a collaboration
between the two on projects for the musical theatre, among them, "A Children’s
Crusade," and the innovative, though controversial "Scandal." Although the
realization of their work was halted by Bennett’s untimely death in 1987,
Webb moved forward with other theatrical endeavors. His show, "Instant Intimacy,"
developed with the Tennessee Repertory Theatre won a 1994 grant from the
National Endowment for The Arts for "New American Musical," and his latest
effort is with the phenomenal actor/writer Chazz Palminteri in a musicalization
of "A Bronx Tale." This project is being produced for Broadway by ClearChannel
and is currently in the reading stages.
Over the years Jimmy Webb has also added his inimitable genius to a number
of film and television projects. Beginning his scoring career in 1968, he
wrote the title song and a mid-summer hit ("Montage") for the James Garner-Debbie
Reynolds comedy, "How Sweet It Is!," followed by an adventurous score for
the 1971 classic Western, "Doc." In 1973 he demonstrated his wit and musical
breadth with a score for the provocative "Naked Ape," followed by his music
for "Voices," in 1979. Webb provided a dazzling score for the highly successful
animated film, "The Last Unicorn," Germany’s second-highest grossing film
in 1982, which also included his title song, "That’s All I’ve Got To Say,"
later recorded by Art Garfunkel. That success was followed by the score
for Cannon Film’s Vietnam sage, "The Hanoi Hilton." Although he rarely collaborates,
Webb and Carly Simon wrote the title track of her album, Film Noir and completed
"A Dream Worth Keeping," with Alan Silvestri for Twentieth Century’s 1992
release, "Fern Gully: The Last Rainforest," recorded by Sheena Easton. His
solo effort, "Christmas Will Return" was included in Disney’s smash hit,
The Santa Clause, with Tim Allen. Jimmy Webb continues in his reign as one
of the few masters of American music, leading one reviewer to comment, "There
is something of a return to 1930’s glamour in Webb’s work, a suggestion
of the great era of lush film scoring when velvet-sounding violins appeared
seemingly out of nowhere and emotion erupted from the music itself."
Webb’s earlier television projects included the theme music and songs for
specials with Ringo Starr, Olivia Newton-John, and Amy Grant, in addition
to providing the theme songs and music for RollingStone Magazine’s Tenth
Anniversary Special. He has also scored for Steven Spielberg’s "Amazing Stories,"
Shelley Duvall’s "Faerie Tale Theatre," MGM Television’s "Seven Brides For
Seven Brothers," and the television series "E/R." Columbia Records released
a Jimmy Webb cantata, "The Animals’ Christmas," featuring Amy Grant, Art
Garfunkel, and the London Symphony Orchestra, with songs from the album featured
on Grant’s Christmas Special in 1986. Webb also scored the 1991 premiere
episode of HBO’s "Tales From The Crypt," as well as another episode of ’Tales
for the 1992 season.
Clarifying himself as a romanticist, Webb’s use of vivid imagery simultaneously
captures and involves his listeners’ emotions, which should come as no surprise
to the songwriter who states, "I like words. I like the way they clash around
together and bang up against each other, especially in songs." In a progression
of his celebrated talent as a lyricist, Webb continued in the 1990’s furthering
his enormous range of interests by completing a best-selling book, Tunesmith:
Inside The Art of Songwriting, a Hyperion ‘98 release. Released in soft-cover
in the fall of ’99, "Tunesmith" is considered by many to be the "Bible of
songwriting." Warner’s, United Kingdom, released Archive (1993), featuring
twenty tracks from earlier Webb recordings and PolyGram U.K. released Someone
Left The Cake Out In The Rain, (1998) a compilation of the greatest Webb
covers in January, 1998. Raven Records released a combination CD of the Richard
Harris/Jimmy Webb recordings from A Tramp Shining and The Yard Went On Forever
in their Richard Harris: The Webb Sessions. Jimmy also co-produced Carly
Simon’s Film Noir album and contributed his vocals, orchestration and piano
skills to the project which was filmed for an AMC documentary (which premiered
in September of ’97) . He also accompanied Ms. Simon on her promotional appearances
on NBC’s "The Tonight Show," "CBS’s Late Show With David Letterman," and
ABC’s "The Rosie O’Donnell Show." His recording efforts with Glen Campbell
have been reissued and extended on a Raven-import album entitled Reunited
(2000), and his week-long performances with Glen at New York’s "Feinstein’s
At The Regency" in May ‘2000 were sold out.
Jimmy Webb’s accomplishments as a writer, composer, arranger, and producer
demonstrate beyond question that he remains as important and vital a cultural
figure today as he was over thirty years ago. Embraced by his peers, Webb
has influenced and affected some of the finest musical talents of our time.
Frank Sinatra declared "By The Time I Get To Phoenix" as "the greatest torch
song ever written," and said he enjoyed singing Jimmy Webb tunes because
"he has been blessed with the emotions and artistic talent of the great lyricists."
The late Sammy Cahn commented, "I think one of the real, real geniuses is
Jimmy Webb. His "MacArthur Park" is a major piece of work, major. I’d almost
compare it to Gershwin’s "Rhapsody in Blue" in size and scope." Michael
Feinstein, who recorded Webb’s "Time Enough For Love," for his 1993 album,
Forever, and included another Webb track ("Wasn’t There A Moment") on his
Such Sweet Sorrow, says he’s "interested in the work of the great masters
from any era, and certainly, Jimmy Webb is a master of this era, of today."
Feinstein is also recording an "all-Webb" album for 2002 and premiered the
title track, "These Are All Mine" at Carnegie Hall with Jimmy as his special
guest in April, ’01. Billy Joel credits Jimmy as a major influence on his
own foray into the music business. "When I was starting out as a songwriter,"
says Joel, "I looked to Jimmy Webb as one of the most innovative and musically
proficient songwriters of our generation." His songs transcend their precedent-setting
critical and commercial acclaim to achieve the level of true classics—a
permanent part of the American musical landscape, the soundtrack of an era.
In his book about songwriting, Webb states, "the paramount joy of the craft
is that, however simply it is begun, it can take the songwriter on a lifelong
voyage across many distant and wondrous musical seas." For Jimmy Webb, that’s
a spectacular series of events indeed.